

- FEEL & THINK: A NEW ERA OF TOKYO FASHION. A Sherman Contemporary Art Foundation initiative, at the National Art School Gallery and SCAF 29 June - 17 August 2013
- BUY A TICKET FOR THE AUSTRALIAN WORLD ORCHESTRA'S 2013 SEASON, to be conducted by Maestro Zubin Mehta 2 & 4 October in Sydney & 3 October 2013 in Melbourne
- READ ABOUT THE AUSTRALIAN PAVILION REDEVELOPMENT
for the Venice Biennale planned for completion in 2015

SHOWCASE PROJECT
TJANPI DESERT WEAVERS EXHIBITION, MCA, 15 August – 27 October 2013
We are delighted to be supporting a bush camp for the Northern Territory's Tjanpi Desert Weavers to create pieces for inclusion in a collaborative exhibition of contemporary Australian artists - String Theory: Focus on Contemporary Australian Art - at the Museum of Contemporary Art in Sydney between 15 August – 27 October 2013.
Fibre sculpture practice is relatively new to the Ngaanyatjarra Pitjantjatjara Yankunytjatjara (NPY) Lands and, as such, allows great freedom for experimentation in developing new and potent ways to express the complexities of cultural knowledge and lived experiences.

Interview
Conversation with Carol Carter, NSW Premier's Teachers Scholarship recipient
Photography is a recent development in China's relatively young contemporary art history, which in itself is a post–Cultural Revolution phenomenon, emerging in the late 1970's with the relaxation of Communist controls, in force since the formation of the Peoples Republic of China in 1949. There has been a Photographers Association in China since that time, which was controlled by the Communist Party and designed to serve the people and show the construction of a new society in a positive light.

ONGOING PARTNERSHIPS
MILK CRATE THEATRE
The Nelson Meers Foundation is proud to be supporting Milk Crate Theatre, Australia’s leading theatre company dedicated to working with people who have experienced homelessness and marginalisation. Read More
UNDERBELLY ARTS
Underbelly Arts aims to support our next generation of artists, to encourage emerging artforms and to provide opportunities for audiences to actively participate in the development and presentation of artistic practice. Read More








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